I've worked with real orchestras for decades though, and I don't agree. But I just don't buy that missing "air" is an important factor for listeners. If people want to complain how difficult and tedious orchestral libraries are to program, I'm on board with that. On the contrary, many experienced listeners accused that guy of using a real orchestra, which he later pretty-much disproved. The YouTube comments aren't full of people saying "something sounds wrong - there's no AIR in this music". I don't think that factor will stop listeners from liking orchestral libraries. And I'm sure the same thing happens with a full orchestra but where we differ is, in the case of an orchestra, I don't believe the sympathetic vibrations are important to the listener. I play guitar, I can hear open strings vibrate sympathetically when they pick up energy from the other strings. Those stimulated harmonics will blend with the track.I do agree with all you say here.
Real stringed instruments (and their resonant wood bodies) alone will pickup sympathetic vibrations from surrounding instruments, stimulating harmonics, which a sample library would be incapable of doing.įor example: Tune an acoustic guitar to an open G chord, have any other instrument (or vocalist) nearby play (sing) some melody/thing in the key of G, mic the acoustic guitar and record it with the "main" instrument.
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